Unwetter.

May 27th, 2007

Foto vom herabrauschenden RegenHier ein kleines Chat Protokoll:
ozean [17:38:19]: tröpppel
ozean [17:38:27]: weh tröppel
ozean [17:38:32]: leichtes geblitzel
ozean [17:39:26]: tropf weh blitzel
ozean [17:39:39]: plädder
ozean [17:39:42]: wehhh
du [17:39:45]: hihi
ozean [17:40:14]: rrumpel
ozean [17:40:19]: *plock*
ozean [17:40:23]: (hagel?)
ozean [17:40:32]: plickediplock
ozean [17:40:38]: prassel!
ozean [17:40:42]: blitz!
ozean [17:40:45]: PLOCK
ozean [17:40:49]: PRASSEEL
du [17:40:52]: krass, wo plockt es denn
ozean [17:40:52]: WEHEEEEHHH
du [17:40:53]: ?
du [17:41:11]: noch da?
du [17:41:18]: weggeplockt?
du [17:43:31]: øh?
ozean [17:44:10]: uff
ozean [17:44:17]: krassus
du [17:44:20]: was denn?
ozean [17:44:25]: musste hier erstmal einsatz machen

Full Metal VillageNähe. Und Distanz.

May 24th, 2007

Nachdem der erste Versuch gescheitert ist, weil es keine Karten mehr gab, hat es gestern doch noch geklappt und wir sind in die Spätvorstellung des als Heimatfilm untertitelten Dokumentarfilms Full Metal Village gegangen. Eine sehr gute Entscheidung, denn dieser Film ist wirklich hervorragend. Er macht genau das, was ich zu häufig bei Dokumentationen vermisse: die DokumentarfilmerInnen werden mit in den Film einbezogen. Die Gefilmten reden mit ihnen, sind darüber verunsichert, wie die Filmenden sie beziehungsweise das, was sie sagen, finden, schauen sie an und scherzen mit und über sie. Da die Filmemacherin Sung Hyung Cho genauso viel Respekt wie Interesse zeigt, öffnen sich die Menschen, ohne sich entblößen zu müssen. So entsteht eine sehr feine Balance zwischen Nähe und Distanz, eine Balance, die das Anschauen und Anhören dieses Films zu einem großartigen Erlebnis machen. Es gibt viele schöne Momente, es gibt wirklich witzige Momente, in denen das Kinopublikum mit großer Lust gelacht hat, und es gibt Momente in denen klar wird, wie die Menschen auf dem Land dazu kommen, nicht bloß konservative, sondern auch (mehr oder weniger latent) rechte Positionen einzunehmen. Und das alles tun sie in sehr intimer Weise gegenüber eine Filmemacherin, die aus Korea kommt. Und dann gibt es noch die schönen, traurigen und stillen Momente. Momente, die tiefe Sympathie für Menschen wecken, die einen Lebensstil pflegen, von dem meist so getan wird, als gäbe es ihn überhaupt nicht mehr. Alles in allem wird es schwer, diesen Film in diesem Jahr noch zu toppen. Für mich ein wichtiger Film, den ich allen nur empfehlen kann. Wer das Landleben aus eigener Anschauung kennt – und sei es auch nur als daneben stehender Bekannter – und wer das Herz im Norden trägt, die/der sollte diesen Film unbedingt und wenn irgend möglich auch auf großer Leinwand anschauen.
IMDb entry | Trailer

The Curse of the Golden Flower – From single colors to complex patterns of richness.

May 23rd, 2007

For me, Yimou Zhang’s movies are about style, about aesthetics, about colors, movements and emotions. Hero has been particularly strong in this department. I really cannot judge The House of Flying Daggers, since I have only seen it in bad quality on a small screen – seeing Yimou Zhang’s movies on the big screen is a must. In this movie, colors do signify solidarities and they also speak of the clash between gold and silver, the clash between the reigning sun and the silent but still present moon. Martial Arts only appear sporadically in this movie – it is more of a theatric play, showing the subtle moves in a game of life and death, in which words are not spoken loudly – and thus the silence is contrasting with the regular announcements of the hour of the day and its meaning by a herold who is walking through the scenes again and again, introducing another drip of poison in the relations between the main protaginists everytime he appears with his bell and his ritual announcements.
I am still somewhat undecided about how I would classify this movie. Which is probably a good sign. Expecting simple but clear messages and colors alike– as in Hero – in was overwhelmed by the richness of colors, the many flowing, rain-like silk curtains, the patterned carpets, ornate dresses, relief-overgrown armors, and bejeweled hairdoes (does this word really exist? does or dos?). I also was unsure about the huge slaughtering scene close to the end of the movie. However, this movie is from China and when I try to perceive it in that context, it seems more plausible and more interesting. The only problem is, however, that I know very little about China. I guess that is why the movie has left me wondering…
IMDb entry | Trailer

Der richtige Rahmen für das richtige Buch.

May 7th, 2007

unser Balkontisch, darauf de Certaus Kunst des Handelns, ein Marzipanei und eine Menge BananenshakeBevor das Wetter wieder schlechter wird oder ich mir wieder den Rücken derart verreiße, dass ich nur so wenig sitze wie irgend möglich, habe ich mich heute endlich mal wieder am Nachmittag auf dem Balkon niedergelassen um ein bisschen zu schmökern. Die Szenerie schien mir angemessen genug, um sie auf einem Foto festzuhalten. Mottogebend hier: Michel de Certeaus Die Kunst des Handelns (im Original L’invention du quotidien). In diesem Büchlein geht es um die vielfältigen Taktiken, mit denen Menschen im Alltag die Zwänge der Gesellschaft unterlaufen, sie überlisten und mit ihnen spielen – soweit es ihnen möglich ist. Eine feine Inspiration. Ich habe das Thema gleich aufgegriffen und die Zwänge des allmählichen Bananenfaulens geschickt umschifft; die gelben Früchte kurzerhand samt Milch, Zucker und einem Hauch von Zimt in den Mixer gehauen und zu einem feisten Shake verarbeitet. Dazu dann noch ein übergebliebenes Marzipanei und ein frisch angespitzter Bleistift und schon haben wir einen feinen Lesenachmittag, bei dem man dann und wann mal den Blick über das Geschehen unten auf der Straße oder in den Baumwipfeln schweifen lassen oder etwas Shake in sich hineinkippen kann.

Spider-Man 3 – too many conflicts.

May 5th, 2007

While I liked the beginning of the most recent (and last?) part of the Spider-Man movies, it did not really grip me. For me, the first movie had style, charm, and romance – in the two follow-ups these magic ingredients were lost somewhere in the mix. Were the performances of the main actors not good enough? Maybe, at least not good enough to make up for the overly complex and many-threaded plot that was not resolved in a very convincing way. In the last part of the movie, one emotional moment had to follow the other too quickly to be savoured for itself and to develop its own taste. This is a pity, since I like both the main characters and the main actors… Nonetheless, there are certainly many superhero movies that are much worse.
IMDb entry | Trailer

Weltrevolution?

May 1st, 2007

Sollte man in Berlin sein und nicht mitbekommen haben, dass heute Walpurgisnacht ist und morgen der erste Mai: spätestens jetzt sollte der Groschen fallen. Die Rotorblätter des Polizeihubschraubers dröhnen über der Stadt. Dann wollen wir mal sehen…

Video research in the open – researcher, camera, and others.

April 30th, 2007

Next week I will participate in the workshop Video Interaction Analysis – and how to do it (program (PDF)). Here is my abstract:

In this presentation I will put the actual presence of researcher and camera in the field into focus. After positioning the actant bundle researcher-camera in the hierarchically structured social field of the railway terminal, I will present several video sequences. These sequences demonstrate techniques employed both by the people in the camera’s perspective and by the researcher-camera – techniques in which distance and the controlled normality of the terminal are maintained. However, other sequences show how this normality is frequently broken and challenged. People are getting closer than is expected, they approach, inspect, conspire with, and question the bundle researcher-camera. Taken together, an emergent set of practices is being analyzed: strategies and tactics that make video research in the open an exciting but also ambivalent process.

The workshop is organized by the DFG research project The effect of computerized knowledge in the operating theatre, from a gender perspective, which is based at Humboldt-University Berlin, Institute for Social Sciences.

Sunshine – Roasting skin and popcorn.

April 27th, 2007

I entered the cinema like I prefer to do it: not knowing what the movie I am going to see is about. I only knew the title. Sunshine. Not very telling, isn’t it? And I knew that someone said it’s good. Equipped with popcorn and a beer and being in good company, I passed a poster that told me the director (Danny Boyle) also is responsible for Trainspotting. Exciting news. The near-apocalyptic, space ship setting of the movie took me by surprise. The well-told story and a range of interesting characters created a good base for a good film. All of this is set into scene with a good camera and several well-cast actors (we know Michelle Yeoh from Crouching Tiger, Hidden Dragon). If you are into sci-fi movies that at least try to present natural laws and physics as they should work, you should better forget all of this kind of knowledge before watching. The story-telling and the search for interesting scenes has dictated what is possible, how quickly people freeze in space and makes fun of the concept of gravity. On the other hand, this has produced some beautiful, some eerie and some shocker-style effects. Taken together, this is a solidly entertaining, well done (that is: not a-point) movie.
As the crew of the space ship gets closer and closer to the sun, trying to nuke it back into activity, we lost sound in the Rex cinema in Darmstadt. The movie lost its voice, the crew was getting closer to being roasted every minute, and we were recompensated with a popcorn voucher after the movie. Stay tuned if you want to know the occasion during which I consumed the free popcorn.
IMDb entry | Trailer

300 – hmpf.

April 19th, 2007

I do not know how the German comic language expression hmpf should be translated to English. It expresses a certain discontent, mixed with a dose of frustration and recognition of the fact that the cause of the hmpf will not easily be removed. This describes my feeling towards this movie pretty accurately. I went to see it because of the aesthetics. Comic style – since it is an apaption of a graphic novel by Frank Miller. Who is known for his violent style. Well, the movie is violent too, of course. One thing that was interesting to me was to experience a qualification in my attachment to grittiness. I think I may have written gritty is good in some other movie reviews here. This is not necessarily true. The Spartans were dirty, their helmets, shields and weapons were dented and dirty too. The was a lot of soil and blood. But it was not good. Maybe, I could argue that this was not really gritty: there was dirt and blood – but there was no pain. The 300 Spartans died. But they did not feel actual pain. Or confusion. All characters and emotions were clean. That is not what I mean when I say I like gritty. Too much perfection. And don’t get me started about the politics and philosphy of this movie. There is a measurable degree of fascism going on. There is a lot of really bad stereotyping of minorities of all kinds. And no irony. If this would be the next thing after postmodernism: I don’t want it! I can only recommend this movie to one group: those who have an interest in representations of violence. (By the way, the story is not exactly gripping either.)
IMDb entry | Trailer

Balcony with a view.

April 15th, 2007

photo taken from my balconyJust in case you are wondering why the balcony topic turns up every year around April: to the left you see the explanation. I have neither fiddled with the colors, nor did I go to any length to get at this perspective. Just come over and visit me these days, walk out onto the balcony and take a deep breath… The anticipation of finally experiencing this view helps me get through the winter.
In the lower left (behind the blossoming cherry tree) you can see the newly built Waldorf Kindergarten.

From Fog to Frühling.

April 13th, 2007

This morning at 6:15, Kerstin and I left our cozy apartment on Juist, entering the thick fog outside. During the walk from the Loog to the harbor, we collected dew on our brows (and sweat on our backs because – surprise, surprise – we were somewhat late-ish). The fog started to lift while we were riding the train through East Frisian meadows. When we made a stop in Oldenburg, the sky was clear and the sun showed off its regained strength. We have never been to Oldenburg before, but it seems nice enough to visit even when the sun is not shining. In Bremen we split: Kerstin is testing the newly established Ryanair connection Bremen–Torp, while I continued on to Berlin. In Hannover Hbf I stowed away my jacket. Arriving in Berlin I encountered people in T-Shirts, realized that the cherry tree is opening its first buds, and now at 19:20 I am sitting here on the balcony and am astounded by the fact that I do not freeze even though the sun is setting on the other side of our house. And the best thing is: this summer I won’t have to stay inside, sweating into the towel wrapped around my chair and writing my dissertation! Ah, mercy to those poor souls who still have to finish their dissertations… (The word chuckle comes to mind.)

Sich beblasebalgen.

March 30th, 2007

Mal wieder ein neues Wort für die Rechtschreibkorrektur. Ein verbreitetes Missverständnis bezieht sich auf den Blasebalg. Man denkt nämlich, der diene bloß dazu, Sand, Staub und andere unliebsame Partikel fort zu pusten. (Und zwar ohne sich darum zu kümmern, wo der kleine Wind die unerwünschten Kleinigkeiten ablegt.) Nach dem Spaziergang entlang des bestürmten Strandes: blas, blas! Fort mit dem Sand von der Kamera. Fort mit der Erinnerung an Salz und flatternde Ärmel. In den Momenten, in denen man sich noch nicht aufraffen kann, weiter zu tippen und einen neuen Gedanken zu fassen: blas, blas! Fort mit den Resten der alten Brötchen, die zwischen den Tasten hervorlugen. Vielleicht schafft das ja Platz für eine feine Idee.
Damit könnte man den Balg dann wieder an seinen Platz befördern. Ab in die Schublade, die Fototasche oder den anderen düsteren Ort, in dem der Balg sein Dasein fristet. Da liegt er dann und wird nicht mehr Verbalgt. Das Ventil geschlossen. Die Düse in stiller Luft. Ein tragisches Schicksal. Ein Schicksal, das die Existenz des Balges links liegen lässt. Ein Schicksal aber auch, das Potentiale schlummern lässt, die in diesem Gegenstand bereit sind. Denn nicht nur Tastatur und Kamera brauchen gelegentlich einen gut gezielten frischen Wind. Nein, auch der werte Autor mag sich manchmal etwas eingestaubt fühlen. Sitzend im eigenen Dunst. Steht aber ein Blasebalg bereit, so kann der träge Schleier vertrieben werden. Einmal links, einmal rechts wird der Balg gedrückt: blas, blas! Fort mit alten Gedanken, die sich niedergelegt haben. Etwas hand- und hausgemachter Wind im Antlitz, schon geht es weiter. So einfach ist das. Und vielleicht erinnert der kleine Wind ja auch an seinen großen Bruder und ist so Anlass, mal wieder vor die Tür zu gehen. Ab mit dem Balg in die Lade! Oder man erfreut sich doch einfach nur an diesem Gegenstand, der nicht nur total haptisch ist – nein! – er trägt auch noch so einen famosen Namen, dass er einfach der Niederschrift bedarf. Aber am besten hält man es mit dem Namen so wie mit dem Ding. Man füllt ihn mit Luft und bläst ihn in die Welt. Und wen es erfreut, der macht den Namen zu einem selbstreflexiven Tuwort.

Schlechte Herstellung im Campus Verlag.

March 17th, 2007

Lieber Campus Verlag, ich finde die Umschlags- und Titelgestaltung von Deinem Buch wirklich ganz ansehnlich. Aber, um ehrlich zu sein, ich habe noch nie ein dermaßen mies gesetztes Buch von einem großen, eigentlich angesehenen Verlag in der Hand gehabt. Ich fühle mich nicht wegen mittelprächtiger Typografie zu diesem Eintrag genötigt, zwei bestimmte Dinge lassen mir den Kamm schwellen, wenn ich Dein Buch in die Hand nehme:

  1. Wenn ei ne Wort tren nung über ei ne Sei ten gren ze hin weg geht, fehlt der Bin de strich. Und zwar im mer.
  2. Am Ende von mehreren Kapitelüberschriften scheint jemand ein Sonderzeichen gesetzt zu haben, das sich im Druck als ungefähr n-breite, graue Fläche über die gesamte Zeilenhöhe erstreckt.

Das sind Fehler, die einem derart in die Augen stechen, dass es mir vollkommen unverständlich ist, wie so etwas in den Druck kommen kann. Über die vielen Rechtscheibfehler wollen wir mal den Mantel des Schweigens breiten. Von Zeichensetzung, Groß-, Klein- und Getrenntschreibung hab ich zum Glück keine Ahnung, so dass mir solche Fehler nicht auffallen würden. Würde ich bei einem solchen Verlag ein Buch veröffentlichen wollen? Eigentlich nicht. Wenn da nicht so inhaltlich wundervolle Bücher wie Alain Ehrenbergs Das erschöpfte Selbst : Depression und Gesellschaft in der Gegenwart erscheinen würden… Ein Buch, dass in jeder anderen Hinsicht überzeugt, wichtig ist und sich gut liest.

Getting the research back to the name of this blog.

March 16th, 2007

photo of razorclamsFinally. I am currently spending my first research week on the island. My main objective during this stay is to arrange future stays, check out the general way things have changed in the course of the last 10+ years, get back into touch with people, and take a lot of photographs of the island’s coastline, nature, buildings, places, and people. Some of the photos serve more or less aesthetic purposes, documenting the attractions and peculiarities of this place, others serve as a background for future assessments or comparisons.
Time passes both more slowly and more quickly here. To keep a grip on this and the many other things and thoughts that I encounter here, I have started writing a more thorough log than I did for any of my past research projects. I am pretty sure solid logging practices (as recommended by Lofland & Lofland in their great book Analyzing Social Settings) are a very good idea for a long-term project such as mine. I can only recommend OmniOutliner to those of you using a Mac. It is as useful for keeping a log as it is for writing outlines.

Workshop on video analysis.

March 7th, 2007

On May 11-12th I will participate in the workshop Video Interaction Analysis – and how to do it (PDF) which is organized by Ulrike Tikvah Kissmann. As she writes: The aim of the workshop is to bring together video analysts with different methodological backgrounds and to discuss how their approaches differ. For that purpose, the presenters have been asked to make the stages of their analysis as transparent as possible. I will try to dive into the transparency or openness and offer those video sequences for discussion in which people display their stance (scepticism, interest, evasion…) towards me and my camera. The title for my presentation is Video research in the open – researcher, camera, and others. I am really looking forward to the workshop and I am confident that the atmosphere and setup of the workshop will be allow for fruitful, non-defensive discussion of methods in practice.

Small tip for those who have to check their spam folders.

February 27th, 2007

Since no spam filter is perfect and nothing is worse than ham classified as spam, I have to check the contents of the different spam folders of my e-mail accounts somewhat regularly. For some of them, several hundred spam mails per week are not a rare occurrence – thus it can be a real drag to check all of their titles for possible ham (that is e-mails that are good and actually addressed to me, not unsolicited ads, phishing stuff, and all the other stupid things). Last week I tried something new to help my perception: I ordered the contents of the spam folders by subject! Incredible, isn’t it? That makes picking out potential ham much easier, especially in those cases where you have lots of spam messages with almost identical subject lines. Probably you have already figured this out on your own, but maybe not – and then you owe me one ;)

Not too glamorous, not too moving.

February 27th, 2007

The Oscars are over. We spent a long night in front of the TV, watching the same stupid commercials over and over again until it seemed that Pro 7 did not have any sponsors left so that they fell back on only sending commercials for their own products. I was actually very happy that Das Leben der Anderen won the Academy Award for best foreign movie – in my experience, it was the best movie of the past year. Although I have to admit that I have neither seen Clint Eastwood’s flicks nor Pan’s Labyrinth. It was a good movie season. The ceremony itself however, was not too exciting. Some nice dresses, a good life performance by the Dreamgirls singerettes, a great Forest Whitaker and, of course, a stunningly beautiful Cate Blanchett. For my taste there was much too much Al Gore embracing and too little of the heartfelt political critique as it was expressed by Chris Cooper when he won his award for best supporting actor a few years ago.

Strategieworkshop.

February 18th, 2007

montage showing a blackboard, a foggy mountain valley and nordic skiingDer Strategieworkshop der Darmstädter Stadtforschung im Kleinwalsertal war inhaltlich und dynamisch ein voller Erfolg – Stadtforscher der Republik: haltet die Augen und Ohren auf und bereitet Euch innerlich auf das vor, was da so kommen wird…!

Das Leben der Anderen – Schmerzvolle Entschlüsse.

February 10th, 2007

Dieser Film ist wirklich hervorragend. Buch, Darsteller, Regie, alles greift ineinander, so dass sich vor meinen Augen eine Geschichte abspielt, wie sie besser kaum sein kann. Hier wird das Gute im Menschen auf eine Weise verhandelt, die sehr rücksichtsvoll ist, die aber auch zeigt, dass nichts leicht ist. Vor allem nicht, gut zu sein. Ich will nicht viele Worte über diesen Film verlieren und stattdessen nur allen empfehlen, die diesen Film wie ich schon viel zu lange noch nicht gesehen haben, dieses so bald wie möglich nachzuholen.
IMDb entry | Trailer

Babel – more than words.

February 8th, 2007

Desert, borderland and the metropolis – these are the places in which the stories of this movie unfold. The places are well chosen, showing how fear and isolation can creep into every part of this world. This movie is quite humanistic, telling us about the difficulties that we face when engaging an other. Difficulties that exists because of the distance between cultures but also in the distance between individuals. I have been told that this movie tells a story about miscommunication. That is true. But it also shows how people interact with more than words. Words and bodies struggle to transport meaning and care, always looking for love or at least some help and sympathy. But they also hurt and might even kill. The film shows a very corporeal form of communication, quite in contrast to the title which seems to suggest that it is about spoken language. Thinking about it, I very much enjoyed this movie, perhaps even more so that during the time I spent in the cinema. However, I certainly won’t complain about that time: Cate Blanchett is breathtaking as always and Gael García Bernal might even be my favorite male actor, the rest of the cast doing very well, too. Go and watch this movie. Do it in the cinema, landscape is important in this movie.

IMDb entry | Trailer