Archive for 2009

Låt den rätte komma in – The innocence of loosing your innocence.

Sunday, April 19th, 2009

When I saw the trailer for this movie I thought: this is a pretty neat idea. A girl of twelve years is presented as one of the epitomes of sin: a vampire, even worse, a dirty vampire, who licks bloods from the floor of a crappy room. Whose blood is it? The blod of an angel: a blonde, young, Swedish boy with blue eyes and a slight nose trickle. This is the constellation that is being developed in Let the right one in: a vampire girl who looks like she might have a migrant background and a local boy whose life and character are more complex than one would expect from his face – complex even before the arrival of Evi, the creature who drinks the blood of human beings. The film is moving in a very slow pace. Long takes show the faces of the protagonists. They show the places they live in. They show their interactions. Set in a gloomy winter atmosphere, the really well-cast, charming and at the same time frightening characters encounter each other: talking, bullying, playing and killing their way through night and day. The film succeeds at giving almost all characters more depth than one would expect in a horror or vampire flick. It is definitely more than a simple genre movie. It allows one to identify with all of these different characters and their problems – both small and mind-blowingly huge problems. This movie got me really involved, charmed, amused, shocked, frightened, and all of the time deeply engaged. It is a love story that tells us about how we can loose our innocence while maintaining it. About how we maintain our innocence by giving it up. You should definitely go and see it – if you can cope with the spilling of blood and some disturbing juxtapositions that this movie is not afraid of showing. In its heart, it is a very tender love story.
IMDb entry | Official Homepage / Trailer

Feuer aus den Schützengräben.

Tuesday, April 7th, 2009

In einem kurzen Essai zur Einleitung von Merleau-Pontys Phänomenologie der Wahrnehmung habe ich zu Anfang meiner Beschäftigung mit der Phänomenologie geschrieben, dass ich befürchte, in das Feuer disziplinärer Schützengräben zu geraten. Das ist nun passiert. Im Sinne des Rechenschaft Ablegens auch und gerade über die dunkleren Seiten des wissenschaftlichen Alltags will ich hier nicht nur von positiven Rezensionen berichten.
Der Beschuss kam aus unerwarteter Richtung: von Seiten phänomenologisch orientierter Sozialwissenschaft und also nicht von Vertretern etablierterer Theorierichtungen. Die Besprechung stammt von Jürgen Hasse und ist in der Geographischen Zeitschrift (95: 105-106) abgedruckt worden. Die Werbung, die mein Verlag aus der Rezension von Jürgen Hasse herauskondensiert hat, hat mich vorgewarnt: Die Frage nach der Rolle der Materialitäten in der sozialen Welt kann nicht wichtig genug genommen werden. Sich diesem Thema gewidmet zu haben, ist Verdienst des Autors. Mehr Lob als das ist leider nicht zu finden… Aber ich schätze die Arbeiten von Jürgen Hasse eigentlich, weshalb ich mich hier auch noch ein wenig mit dem Inhalt seiner Kritik auseinandersetzen möchte. Dazu ein beispielhafter Absatz:

Phänomenologie kann nicht ohne saubere Begriffsarbeit gelingen! Das zeigt auch der Gebrauch des am Verständnis der Astronomie (!) orientierten Begriffs der »Konstellation«. Als Konstellationen werden nämlich die untersuchten Fähr- und Bahnhofsräume beschrieben. Der Begriff der Konstellation betont Einzelnes einer messbar-relationalen Ordnung im Gefüge anderer Dinge und menschlicher Körper. Der erkenntnistheoretische Effekt des Konstellations-Begriffs ist die denotative Isolierung. Ein solcher Blick passt nicht zur Methode der Phänomenologie, die Zusammenhängendes verstehen will und darin jedem erkenntnistheoretischen Atomismus entgegentritt. Die Dinge und Menschen ganzheitlich zusammenhaltenden Bedeutungsgefüge wären mit dem Begriff der »Situation« sicher wirkungsvoller zu analysieren gewesen.

Jürgen Hasse hat selbstverständlich völlig Recht, wenn er sagt, dass der Begriff der Konstellation – insbesondere in der Art in der ich ihn verwende – nicht zur Methode der Phänomenologie passt. Situation wäre in der Tat das passendere Konzept. Aber eine der wichtigsten Lehren meines wissenschaftlichen Arbeitens, meiner Auseinandersetzungen mit allerlei Kritischer Theorie, Konstruktivismus, Linguistic Turn und den Post…ismen ist, dass eine theoretische Einseitigkeit nicht nur in vielerlei Hinsicht fragwürdig ist – weil sie immer bestimmte Aspekte ausblendet und weil sie Unstimmigkeiten einfach ignoriert oder als nebensächlich abtut –, sondern weil eine theoretische Einseitigkeit darüber hinaus auch weniger produktiv ist und gerne zu vorhersagbaren Ergebnissen führt.
Selbstverständlich macht es wenig Sinn, Begriffe und Theorien einfach bunt ineinander zu würfeln. Die Einhüllenden Materialitäten waren ein Versuch, die Chancen einer Kombination und Konfrontation unterschiedlicher theoretischer und methodologischer Vorgehensweisen gezielt herauszuarbeiten und unter ständiger Reflexion und Selbstverortung und in Auseinandersetzung mit dem im Feld gesammelten Material zu zeigen, was sich wie kombinieren lässt und wo die Grenzen solcher Kombinationen sind (zu den Grenzen des Konstellationsbegriffs siehe beispielsweise S. 135-136 und die Gegenüberstellung zum Begriff des Gemenges auf S. 259-264).
Ich werde natürlich nicht aufhören, dieses Ziel zu verfolgen und wahrscheinlich werde ich in Zukunft zwei Wege verfolgen: in einigen Publikationen radikal und pointiert Unterschiedliches zusammen zu führen und in anderen Publikationen besonders vorsichtig und abwägend zu argumentieren. Beides hat seine Vorteile und beides wird bei unterschiedlichen Leuten auf Zustimmung und/oder Ablehnung treffen. Es wird natürlich auch weiterhin Leute geben, denen beides nicht passt. (Ich habe den Eindruck gewonnen, dass es hier auch eine Art von generationsbedingt unterschiedlicher Rezeption gibt.) Glücklicherweise bereitet mir sowohl das vorsichtige Argumentieren als auch das Poltern Freude beim Schreiben. Noch glücklicher schätze ich mich allerdings, dass die Rückmeldung, die ich sonst auf mein Buch bekommen habe, so positiv und mich bestärkend war.

Presentation: Landscape, the body, and the route. The socio-materiality of road stops between erosion and fatigue.

Wednesday, March 25th, 2009

Next month Lars Meier and I will go to Cardiff to participate in this year’s conference of the British Sociological Association. I will be presenting as part of the stream Space, Mobility and Place, which sounds like a good context. Following is the abstract:

In this presentation, I want to use digital video recordings and photographs to analyze the corporeal dimension of what is happening in one of mobility’s borderlands. Based on research that has been done at rest stops of the Norwegian Tourist Route, I will discuss the multiple social and material layers that permeate each other at these sites. Symmetrically analysing material aspects on the one hand and social aspects on the other hand (i.e. material: built structures, erosion, and “natural events” like snowfall; i.e. social: social class, fatigue, and “social events” like experiencing a place as a picturesque landscape)–, I want to demonstrate two things: (1) How the corporeal embeddedness of actors in their material surroundings is an inextricable, temporally constituted part of what is labeled as The Social. Thus the challenge to a restricted understanding of the social – as it has been put forward in Science and Technology Studies or in Non-Representational Theory – is taken up in empirical field work. (2) How disruptions in flows are an essential and productive part of everyday practices, even if they arise as irritations. Thus it will be displayed that mobility, speed, and the non-places of flows have another side, a dark side that is, actually, quite multicolored.

I am really looking forward to visit Cardiff for the first time. Maybe even more exciting will be to compare the British sociology crowd with that of the German sociology conferences, and with the British geographers.

First conference in Oslo: Routes, Roads and Landscapes: Aesthetic Practices en route.

Friday, March 6th, 2009

Time for some news regarding my new position in Oslo. First: the website of the project is finished and ready for you to browse. I have now changed all the institutional homepage links on my website to the Routes project. I decided to take this step since I do not have a real personal page that I can easily update at the TU Darmstadt anymore.
conference posterSecond: we (that is the participants of the routes project) have already come up with a conference which will take place in Oslo this fall: on September 24th/25th.
I am really looking forward to this conference, which we have just announced on the routes website. I am quite certain that the conference will be a success – we were very lucky in getting almost all the people we wanted on board for this event. We also have a call for papers, so feel free to submit an abstract.
Other than that, I hope that the routes conference will not overlap with my presentation at the Deutscher Geographentag… bad time scheduling by yours truly…

Leaving Boston and re-enabling comments.

Sunday, March 1st, 2009

Well, well, the stay in Boston has been very nice – new friends and old friends together created a very rich social life. And I even got an article finished! (More about that in another post sometime in the future.)
I had disabled the comment function after a massive spam attack and forgot to turn it on again afterwards. Now comments should be working again!

Boston, where the financial markets left me in the cold.

Wednesday, February 18th, 2009

greyscale picture taken in the South End galleries areaBoston in the winter is cold. But since Oslo is not exactly a warm place in the winter month, this is not much of a problem to a winter-hardened yours truly. However, there is one substantial difference here: I do not have to freeze in the when I sit in the library.
Freezing indoors is a familiar experience to many US visitors in the summer. It usually goes something like this:
Walk into a public building, a store, a cinema. Encounter a wall of cool air. Sit down. Do not have an additional layer of clothing available. Start freezing.
In the winter, I am used to this being the other way round. As stupid as it is, at least it is familiar.
Now, switch settings: We are in the medical library of the richest university of the world. It is really, really, really rich. Ridiculously rich. I arrive from outside, where there is snow and ice. I choose a table. Get rid of my jacket, hat, and extra sweater. Plug my laptop in, sit down, and fire up all of my procrastination-enhancing applications. Fool around a bit. Feel a strange cold. Put on my sweater. Work a bit. Start to feel cold more deeply inside. Feel very foolish, but put on my jacket.
So it seems they have turned the heat down. Maybe the message about climate change has finally arrived? After suffering through this for a few days (and adapting to the circumstances by putting on long underwear and nice woolen socks), an inquiry about the temperature is made. The staff says that because of the loss of money that Harvard University has suffered in the financial crisis, it has been decided to save money by turning down the heat in the Countway Library of Medicine. In parts of the library to about 59°F. That is 15°C. Very funny.
In Berlin’s university libraries there might be leaks in the ceilings, torn off carpets, file cards, and construction noise. But at least I don’t get sick because I have to work for several hours, sittig still while the temperature is at 16 or 17° Celsius.
If you thought that Harvard would be this great place, the place where academics are pampered and where you wouldn’t want to be anywhere else: be warned! I for my part am looking forward to enter the welcoming warmth of Oslo’s university library when I get back…

Max Manus – Norwegian identity in film.

Monday, January 12th, 2009

A man on his own – but not alone. Fighting invaders first in Finland (the Red Army in the Winter War) and later in the capital of his home country: the German Nazis who occupied Oslo from 1940 to 1945. Max Manus is one of the biggest productions of Norwegian cinema and it keeps filling cinemas in Norway and stifling public discussions about the Norwegian resistance movement. It depicts one of the most famous actors of the resistance movement, Max Manus, focusing mostly on the sabotage acts that he did together with the other members of the Oslo-Gang. Max Manus is very much the prototype of the Norwegian male: an adventurer, a man who is not too dependent on others, a man who travels through nature, who suffers pain without much ado, and a man who is adored by women and the king. But he also is a man that has a hard time to control the inner turmoil that he is experiencing. The main actor, Aksel Hennie does a good job of portraying the man and his conflicts – it becomes clear that his war experiences are a source of attacks of depression and alcohol abuse, that his love to a married woman is difficult to handle, and that his friendships are as important as they are vulnurable – because he knows that many of his friends will or did die in the fight against the invaders.
The rest of the movie is also well done. Good camera, nice settings and a solid plot that seems to be pretty close to the real life events. The Germans, mostly the local Gestapo officer Fehmer, played by the attractive Ken Duken, are portayed in a way that makes it obvious that the writer and the directors did not want to fall into a Nazi-cliché or into German-bashing. This aspect would have been even more more plausible if more would be shown about the occupation. The way the story goes now, it does not tell a stroy about the victims of the occupation, about the ways in which everyday life changed (or didn’t change), and about those who collaborated with the NS regime. Nonetheless, the movie is certainly worth watching – both from a historical and an entertainment perspective. I haven’t been too gripped by the story or the characters, but I think that this is mostly because I had to read the Norwegian subtitles all the time. Since I am still a very slow reader in Norwegian and an even worse listener, much of my attention was focused on keeping up with what is being said instead of breathing the rich atmosphere of the film.

IMDb entry | Trailer

Vicky Cristina Barcelona – Americans in exotic Europe.

Saturday, January 3rd, 2009

This may well be the best Woody Allen of the new Millenium. I have always enjoyed Woody Allen’s dialogues, his movies are always starring people who are not only beautiful but who can also act, and I always leave the cinema with this happy post-Woody-Allen-movie-smile. All of this is also true for his latest movie. But this one does more than that, it gives insight into the strange relation of Americans to Europe with it’s art, culture, and it’s relaxed, non-puritan attitude. Both female main actors have fantasies about what they are, what they want, and how all of their self-indulgent selves should work in the Old World, with its strange, backwards, fascinating, and arrogant inhabitants. Both women are quite different, but their problems intersect in many intriguing ways.
Somehow, I enjoyed the fact that this movie did not star Woody Allen or somebody who acts like s/he is another face for Woody Allen – and maybe this is what makes this movie even better than Scoop, the last European Woody Allen movie. In addition, both Rebecca Hall and Penélope Cruz have scenes in which they make breathtakingly strong performances. I really enjoyed this movie, which you certainly can see on the big screen. If you should somehow miss it, then I would recommend getting the DVD – even if you’re not that much into Woody Allen.

IMDb entry | Trailer