Posts Tagged ‘animation’

The Adventures of Tintin – entertainment with a weak finish.

Sunday, November 13th, 2011

A new town, a new cinema. Here in Notodden, deep in the Norwegian province, we might have only 12,000 inhabitants, but we also do have a 3D capable cinema that is only a short stroll away from home. So we can hope for a return to more regular film critiques – if the program allows that is… Still, we’ll have plenty Hollywood-style entertainment flicks and Tintin certainly belongs to this category. I do like the comics, and I found the movie to be an adequate conversion to the screen, 3D and all. The first half or even two thirds were actually very nice. Small episodes, chase scenes that were actually enjoyable, a bunch of likable if somewhat shallow characters and, of course, Captain Haddock and his addiction to alcohol as pretty much the only interesting character. However, the movie just went on like that: more chases, more adventure, no development, no conflict. I guess the same is true for the comics, so there is not much to complain about, but in the realm of animated movies, this is not nearly sufficient to even get close to Pixar’s productions. Too bad. But sadly, I do not really expect more from a Steven Spielberg movie, so I at least wasn’t disappointed. You can certainly go see it if you’re into Tintin.
IMDb entry | Trailer

WALL·E – Fat & trash. Grit & emotion.

Thursday, July 24th, 2008

Whew. This movie was quite an experience. The Pixar studio movies of the last decade were usually much better than the average Disney diet that we had to swallow since at least the nineties – for some reason, Disney does not make movies that have enough heart and enough guts for critique, such as the 1973 Robin Hood had. Pixar fills this important void, offering children’s movies that are much more than entertaining. WALL·E, the main protagonist of the movie, is a heart breakingly amiable character. He demonstrates what animations and cartoons can be, if they are done right: instead of trying to be realistic or cartoonish, the animation in this movie focusses on the expression of emotions, on the expression of atmospheres, and the ways settings are felt. Of course, this is a children’s movie. But it is also much more than that. Like the novel which I am reading right now (Mark Twain’s Tom Sawyer), WALL·E tells us a story which reflects the not only positive norms and easily forgotten destructive aspects of our societal existence – at the beginning of the 21st century these problems are, in a way, very much different than in the middle 19th century. But at the same time, our longing for sharing our life with people we adore and love remains the same, as does the joy in the physical experience and closeness to things, animals and others. Maybe the story of WALL·E will evoke perceptions and emotions that will help kids and adults alike to avoid producing a future in which the world has become a garbage heap and in which human society consists of people who do not touch each other any more. This is probably the best animated movie from the US of A that I have seen.
IMDb entry | Trailer

Persepolis – Graphic storytelling.

Thursday, June 19th, 2008

Simple drawings instead of real life actors, a very well-known script (the movie is based on the comic series), the life of a migrant girl. These are the ingredients of the precisely told and yet very touching animated movie Persepolis. Even if you have not read any of the graphic novels of Marjane Satrapi, even if you are highly sceptic of comics and animated movies in general, even if you do not care much about headscarves and the Middle-East in general – even in spite of all that, you should go and watch this movie. Because it is a great story, told with pictures that make the best of the freedom of animated movies: it does not care about reality as such, instead it focuses on showing how situations feel, how they would look if they were drawn in black and white, like a paper cut. The scences are beautiful, sometimes funny, often tragic.
The only thing which I have missed a bit had to do with my personal reading of the story as such – I missed a bit of reflection about the role of the female protagonist as someone who is very much upper-class in her upbringing and social status. It was not something that was shyly denied or pompously set in scene. However, it was in a way too straight, too un-broken for me. But maybe, perhaps, this is the case because being upper-class comes as a matter of course, not as something special to those who are…
IMDb entry | Trailer

Ratatouille – (Not) A cheesy movie.

Friday, October 12th, 2007

The trailer (link see below) for Ratatouille was charming enough to lure me into the cinema for an evening free of philosophic discourse during last weeks conference of the German Society for Phenomenological Research (DGPF) in Darmstadt. In addition, this movie has been made by Pixar, which has produced several highly entertaining animated movies during the last years, making it even more attractive in my eyes. Pixar studies seem to hire the right writers who keep a certain degree of edginess in the stories, thus making their movies stand out positively in contrast to most of the boring Disney productions of the last decade. This is again true for Ratatouille. The main character is charming enough, his buddies and relatives are funny, and his enemies bad – luckily all of them in a not overly schematic way. There were one or two very touching moments in the film and the rest was pure entertainment enriched with several very well-made animations and scenic views. Something for a relaxing evening at the cinema, but also something that you could rent for a night at your DVD booth around the corner.
IMDb entry | Trailer

The Simpsons Movie – Entertainment also for non-insiders.

Saturday, August 18th, 2007

Watching the credits of this movie roll through, I was seriously surprised how many people work on a 2-D animated major motion picture these days. The credits were not as long as those of The Lord of the Rings, but they were still l o n g. The result of this big enterprise is worthy: I found the trailers nice and I was not disappointed by the movie. As far as I can judge, all the common characters appear and have something entertaining to show or do, some really funny ideas have entered both picture- and dialog-wise. I went to see this film with two other non-Simpsons freaks, and we had several series’ of serious amusement. Nevertheless, neither the eco part of the story nor the personal part was overly great – criticism, shock and grief were hinted at but not performed in a way that would make this movie more than amusing or entertaining. However, I will soon take a look into one of the books that I got as birthday presents: The Simpsons and Philosophy : The D’oh! Of Homer and let myself be enlightened about this side of The Simpsons.
IMDb entry | Trailer

300 – hmpf.

Thursday, April 19th, 2007

I do not know how the German comic language expression hmpf should be translated to English. It expresses a certain discontent, mixed with a dose of frustration and recognition of the fact that the cause of the hmpf will not easily be removed. This describes my feeling towards this movie pretty accurately. I went to see it because of the aesthetics. Comic style – since it is an apaption of a graphic novel by Frank Miller. Who is known for his violent style. Well, the movie is violent too, of course. One thing that was interesting to me was to experience a qualification in my attachment to grittiness. I think I may have written gritty is good in some other movie reviews here. This is not necessarily true. The Spartans were dirty, their helmets, shields and weapons were dented and dirty too. The was a lot of soil and blood. But it was not good. Maybe, I could argue that this was not really gritty: there was dirt and blood – but there was no pain. The 300 Spartans died. But they did not feel actual pain. Or confusion. All characters and emotions were clean. That is not what I mean when I say I like gritty. Too much perfection. And don’t get me started about the politics and philosphy of this movie. There is a measurable degree of fascism going on. There is a lot of really bad stereotyping of minorities of all kinds. And no irony. If this would be the next thing after postmodernism: I don’t want it! I can only recommend this movie to one group: those who have an interest in representations of violence. (By the way, the story is not exactly gripping either.)
IMDb entry | Trailer

Not sure about the violence.

Wednesday, September 28th, 2005

About a month ago I saw Sin City – impressive pictures, super soundtrack and excellent actors that blend into the the dark and gritty world of Frank Miller’s Sin City perfectly. It is the best comic adaption that I have seen so far. Comics are one of my favorite media – the story telling possiblities offered by putting pictures into sequences are stunning. (If you haven’t done so until now, you definitely have to read Scott McCloud’s Understanding Comics, which is also translated into German. One of the few must have reads that I would recommend to anyone.)
However, I do have one problem with the comic market which definitely moves into focus when watching Sin City as a movie: the aggressive depiction of violence. From my perspective, the violence in Sin City wasn’t too bad; I found it less disconcerting than the comic sequence in Kill Bill vol. 1 for example. The use of colors other than red for blood, the obvious non-realism of the massive amount of injuries sustained by the protagonists and the whole mystic and dark atmosphere made dealing with the violence easier for me. Nonetheless, I remain skeptical about the whole kill splatter shoot die moan guts-flying-around issue – my non-spilled guts tell me to…
IMDb entry | Trailer

People say they don’t like animated movies.

Thursday, November 27th, 2003

But when you take them along to watch Antz or, as I did last weekend, Finding Nemo, they like it nonetheless. Is this because they were erring on their preferences? I don’t think so. I think it is because these movies are really nice, even though they are co-produced by Disney. Finding Nemo has a rating of 8.3/10 at IMDb. This is a very high rating, and many better movies have a lower rating there, but it still speaks for the movie, which is really funny and quite wonderfully animated. The trailers do not show the best animations, they seem to focus on the funny shots. The story is perhaps not as good as the Woody Allenesque story in Antz, but it still works if you’re not too opposed to somewhat cheesy father-son relationship stories. The German dubbing was nice, though I would still like to see it with the original voices to be able to compare it (being a nosy ‘I don’t like dubbed movies’ kind of person wanting to distinguish himself from mere mortals).