Match Point – Dostoevsky and class mobility.

I was a bit anxious when I entered the movie theater. Match Point had been praised by everyone I met or heard, making me fear that it could not live up to the extraordinary expectations raised by all this praise. I was not disappointed. It was a very good movie and it was a movie that was different to other Woody Allen movies that I have seen. However, I did not feel it to be the best Woody Allen since Manhattan or something like that. It was different but not necessarily better that his other movies. I guess that most people find it so much better because it is not a movie that might be perceived as being shallow, being a romantic comedy mixed with a few grains of psychoanalysis and a hearty filling of Manhattan impressions. This movie has a much sterner approach to life. And it has a Dostoevsky-reading anti-hero, Opera, cold-blooded murder and an ambivalent ending. Obviously, this is a movie to be taken serious. Bring in the Oscars.
Ehem. Seems I got into a rant here. Well, you should watch this movie. It is good. It has Dostoevsky in it. Crime and Punishment – the hero feels he commits crimes (I think he does so from the beginning by straightly sneaking his way into High Society) and he seeks punishment that does not come easily. Grand. The women are beautiful. No surprise here. The script is excellent and to the point – perhaps a bit too much to the point: a bit less doodling around the theme of luck and more scenes showing how difficult it would be to make your way into the English establishment as an Irish worker’s child would have been even more to my taste. Excellent acting, however. I am looking forward to Allen’s next movie which will supposedly also play in England.
IMDb entry | Trailer

Tags: ,

Leave a Reply