Angel-A – Luc Besson and his breathtaking women.

Milla Jovovich was wonderful in The Fifth Element, Natalie Portman was strangely enchanting – and young – in Léon – The Professional and now Rie Rasmussen makes me marvel at the other gender. As always, Luc Besson shows what many men dream of (at least sometimes, I would guess): a woman that is more attractive than they would ever imagine to be in their company but also a woman that is open, accessible, and full of trust in you a male actor with which you can identify. Or at least with whom you dearly want to identify, since he is so intimate with such an otherworldly being. This is what makes this movie a special experience to me.
In addition, I enjoyed the leading male role in Angel-A. Rie Rasmussen’s beauty (which is more than just looks) and Jamel Debbouze’s deer-like eyes work together perfectly. Nonetheless, the script is not exactly perfect. The main characters sometimes talk too much, taking the depth out of the pictures. In addition, some of the turns in the story are a bit too obvious for my taste.
However, the images were beautiful and evocative and I liked the way in which Luc Besson paid homage to Wim Wenders’ Himmel über Berlin – a movie that also offers beautifel yet remote images of a city, telling the story of a painful bridging of the distance between living, experiencing, and dying mortals and remote, superhuman angels. I enjoyed the movie, its pictures, and its characters very much. However, you should be aware and not build you hopes too high, particularly if you’re not that much into Luc Besson and his emphasis on strange aesthetics.
IMDb entry | Official Movie Site with Trailer


Leave a Reply